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If you've seen Adult Swim's The Eric Andre Show, you might - just might - be prepared for what will happen on Eric Andre's live tour.
Even if you're not prepared, you can still win something for each of the 11 dates. Each of the prize packs include a Poncho, T-Shirt and Mask. And the final grand prize is an iPad preloaded with a special message from Eric Andre. Enter using the handy widget below. For more on the tour check out the dates below or visit ericandretour.com.
The Eric Andre Show Live Tour Dates
- Nov. 7 Seattle @ The Crocodile
- Nov. 8 Portland, OR @ Star Theatre
- Nov 9 Eugene, OR @ Wow Hall
- Nov 10 Sacramento, CA @ Assembly
- Nov 11 San Francisco, CA @ The Chapel
- Nov 14 Phoenix, AZ @ Crescent Ballroom
- Nov 16 Austin, TX @ Red 7
- Nov 18 New Orleans, LA @ One Eyed Jacks
- Nov 19 Atlanta, GA @ Terminal West
- Nov 20 Nashville, TN @ Exit/In
- Dec 3 Los Angeles, CA @ The Echoplex
The hardest thing about this year’s Comedy Awards to me is that at least two separate things loom so high over everything else that happened that I have a hard time seeing why others with win.
First, for movies… Bridesmaids. Which was not just funny but also an impressive portrait of a character who is profoundly sad because of the loss of her business and her romantic relationship. It’s got fantastic gross out scenes but is actually wildly funny at the same time that the characters have grounded and real feelings. I didn’t see everything nominated this year, but Bridesmaids was able to balance such hard comedy with a character’s emotional life is enough for me to suggest a sweep of most of the movie categories (save for Performance by Actor, heh).
The second, in TV and Stand-Up… Louis C.K. With “Louie”, C.K. always surprises. I never know what I’m going to see from week to week but I’m always delighted as it unfolds. And as a stand-up, C.K. has very few challengers… particularly with how he changed the game with his own self-released special on the web. Almost everything he was nominated for, save Comedy Actor, he feels like a lock to me. With him calling his win last year “the greatest moment of the shittiest night of my life”, I’m looking forward to seeing the visible discomfort at the adulation (as a comic should be).
I voted in this year’s Comedy Awards and though it might be obvious how I voted after what I said above, I’m not sure if I can tell you all my picks. But I’ll tell you my right/wrong ratio for the official categories at the end of the night.
6:46 OK, we’re starting soon… I did a little tweeting before it. Might do a little more when I got some acidic, non-pertinent snark. Read my tweets here.
6:52 Doug Herzog, Comedy Central President, is bravely doing warm-up… promising it all gets funnier afterwards. Doug is also detailing the The Comedy Fund, which is the foundation that helps comedians who are having major life transitions… (i.e. no health insurance and very sick among other bad things.) Perhaps a Sarah McLachlan-esque poignant montage of the faces of sad and confused comedians will come during the show? Fingers crossed!
7:16 And we’ve started… Andy Richter welcoming us “From the Comedy Award capital of the world!”
7:18 And we start with the award that will have the most obvious winner. Chris Rock on nominees for Stand-Up Specials: Three are funny. One used to be funny. One never was funny. Does he mean it? He does. Anyone care to guess which ones? Nominees: Louis C.K.: Live at the Beacon Theater, Norm Macdonald: Me Doing Standup, Patton Oswalt Finest Hour, Colin Quinn Long Story Short, Daniel Tosh: Happy Thoughts.
Winner: Louis C.K.... wearing a tie this year! He’s changed! Apologize to all the girls who cheered Daniel Tosh, says he wants to fuck him too. I’m 1 for 1 so far.
7:25 Will Arnett presenting the award for TV Writing. But first, let’s look at the schwag bag… which comes with a live turtle. Aww. Nominees: 30 Rock, Curb Your Enthusiasm, Louie, Modern Family, Parks and Recreation, Saturday Night Live
Winner: 30 Rock. Yeah, it’s still pretty amazing. But as good as the always surprising Louie? Not to me. 1 for 2.
7:31 Maya Rudolph talks about online shopping addiction, perhaps her online shopping addiction before introducing Best TV Performance by an Actor. Nominees: Alec Baldwin, 30 Rock; Ty Burrell; Modern Family; Louis C.K., Louie; Steve Carell, The Office; Larry David, Curb Your Enthusiasm.
Winner: Ty Burrell. With a very heartfelt speech. Definitely deserves it. And if I had any brains while filling out my form, I’d be 2 for 3. But I’m actually 1 for 3. Yikes…
7:37 Now, Best Film Performances by an Actress. Chris Parnell hasn’t seen any of these nominees, because he watches porn parodies exclusively. Nominees: Jennifer Aniston, Horrible Bosses; Cameron Diaz, Bad Teacher; Melissa McCarthy, Bridesmaids; Emma Stone, Crazy, Stupid, Love; Kristen Wiig, Bridesmaids
The clips of the actress will need to be bleeped. Them some filthy laddies.
Winner: Melissa McCarthy. I picked Kristen Wiig… I’m afraid I judged this beyond the comedic appeal, basing it on the big arc of the movie rather than the explosive appearance… So I’m 1 for 4. Maybe this comedy thing isn’t for me…
Melissa McCarthy wasn’t there to accept. But Norm McDonald did, or rather didn’t, bringing on a Native American in full headdress who, in a wonderful cringe-worthy way, spoke to the rape of the land and how they can’t join in the laughing. It’s a very dark bit and I was laughing hard… but it’s not for everybody. Plus: super old reference.
7:46 Tracy Morgan is giving up show business and joining the Secret Service. But first, the nominees for best Sketch Alternative series: Childrens Hospital; Louie; Portlandia; Saturday Night Live; Tosh.0
Winner: Louie....who points out he won an award from another black guy. Maybe I should have looked at who would give the awards before I picked. I’m 2 for 5. Also, wonders, like a lot in the press room, why Louie is considered a sketch show.
7:51 Tracy Morgan takes back quitting. Not interested in taking bullets, even for a black president apparently. Now, Club Comic. Nominees: Ted Alexandro; Hannibal Buress; Pete Holmes; Anthony Jeselnik; Moshe Kasher; John Mulaney; Kumail Nanjiani; Chelsea Peretti; Amy Schumer; Rory Scovel
Winner: Hannibal Buress Great choice. The one I should have picked. 2 for 6. Hannibal points out that none of the other nominees showed up, but he still deserves it because he’s the “dopest” out of all of ‘em. Also, the caucasians split the white vote. Then plugs his tour dates. (Which you can see here: Hannibal Buress Tour Dates)
7:57 Adam Scott with the nominees for Best Director of a Comedy Film: Woody Allen, Midnight in Paris; James Bobin, The Muppets; Paul Feig, Bridesmaids; Glenn Ficarra and John Requa, Crazy, Stupid, Love; Michel Hazanavicius, The Artist
Winner: Paul Feig... Paul decides to direct someone else to do his acceptance speech. He brings up Will Arnett rather than using Adam Scott, who’s on stage. “Just went a different way.” Arnett reads the speech, including a brilliant advance of Feig’s wife (with suggestive statuette gestures from Feig in the background). Feig’s wife can’t hold it together… a highlight of the show.
Oh, I’m 3 for 7. Woo!
8:06 A tribute to SNL’s Weekend Update… with Colin Quinn, Chevy Chase and Norm MacDonald all at the desk. Chevy Chase kind of rants about how it all begin and pretends(?) that he doesn’t know the current host of the segment. “Oh yes, Seth Myers… with the big smile.” Colin reads his speech he would have read if he won for stand-up special. Norm mentions that he was told not to prepare anything. Little Feather shows up talking about Wounded Knee again. There’s an attempt by Chase to get Jon Stewart on stage to arm wrestle. Norm points out that without Chase, nobody else would have got to do it. And then, mentions how the segment was good at taking down those full of themselves… sort of sounding like a slam on Chase…
It’s a bizarre, surreal segment, almost trainwrecky… They cut to Tina Fey and Amy Poehler at one point pretending to sleep. It’ll be interesting to see what of the intro makes it to air. Then clip package… of all the moments you love. No musical guest this year. So this instead…
8:34 After a lull, Key and Peele bring us back with Obama and his anger translator. Anger translator making a big deal about how he needs million cause he running against a millionaire. Plus, where’s all the black people at?
8:38 Between Two Ferns segment with Zach Galifianakis previewing the special that will air before the Comedy Awards. Galifianakis asks Richard Branson about working with “Hot AIr Baboons.”
8:41 Key and Peele in the press room are planning a web series to be responsive during the election with a prepared set for Obama and Luther. They can shoot and get it up hopefully same day. Almost like a war room, but funny.
Also, the cast of Happy Endings giving award for best viral original… which I didn’t vote on.
8:46 Rob Riggle claims he’s totally prepared. And will stop anybody who rushing the stage. Looking at you, Wiig. Nominees for Comedy Series: 30 Rock, Curb Your Enthusiasm, Happy Endings, Modern Family, Parks and Recreation
Winner: Parks & Recreations That makes me 4 for 8. So deserved… “Excited to join the ranks of the one show that has won this award.” Then they thank all the husband and wives and “everyone who is a nice person.”
8:52 Rob Riggle introduces nominees for Animated Comedy Series: Archer; Family Guy; The Life & Times of Tim; The Simpsons; South Park
Winner: Archer 5 for 9! One of the co-creators slipped while getting the award… ouch. (in the Press room he joked that Riggle tazed him, but he apparently to have enjoyed the drink) “Jessica Walter couldn’t be here. H Jon Benjamin simply won’t be here.”
8:58 Patton Oswalt introduces Robin Williams winning the Stand-Up Icon Award. Williams riffs off the awards shape… and mentions that he never worked previous winner Eddie Murphy. Points out he started with only getting three minutes at an open mic and then. Lucky… just like a leprechaun… save he snorted his pot of gold. Praise for current comedy: Patton Oswalt, Louis C.K., Chris Rock and shouts out to: Jonathan Winters (“the Buddha of Santa Barbara”), Mort Sahl and Sid Ceasar.
9:10 Ed Helms introduces nominees for Late Night: The Colbert Report; The Daily Show with Jon Stewart; Late Night with Jimmy Fallon; Late Show with David Letterman; Real Time with Bill Maher
Winner: The Daily Show Richter says it all “What a shocker. It’s the god damn Daily Show again.” Why didn’t I pick it? 5 for 10. All the correspondents accept while mentioning their crazy agendas…
9:16 Robin Williams in the press room, mentions that doing the Comedy Cellar is like playing “Lenny Bruce, the home game.”
Ed Helms presents Directing for Comedy Series. Nominees: The Colbert Report; The Daily Show with Jon Stewart; Late Night with Jimmy Fallon; Late Show with David Letterman; Real Time with Bill Maher
Winner: Louie. 6 for 11. Louie thanks his kids. Not by name. “because of the Internet.” And his kid’s mom. Which is classy and nice of him.
9:20 Comedy Screenplay. Nominees: 50/50; Bridesmaids; Crazy, Stupid, Love; Horrible Bosses; Midnight in Paris
Winner: Bridesmaids A great speech about friendship from Kristen Wiig and Mumolo which degenerates into a physical fight over who gets to take the award… I’m 7 for 12 now!
9:22 Chevy Chase gives a Best Friend Award to Joel McHale, which is a hug. Nominees for Stand-Up Tour: Dave Attell; Lewis Black; Louis C.K.; Kevin Hart; Jerry Seinfeld
Winner: Louis C.K. “This is stupid now. I hate this. Everything if you keep doing it starts to suck.” Then he walks off the stage. Brilliant. 8 for 13.
9:28 Louis C.K. in the press room on why he went to the web: Cites the small market for ‘em. “Nobody cares if you do a stand-up special. They say, yeah we’ll take it.”
9:30 Nominees for TV Comedy Actress: Zooey Deschanel, New Girl; Tina Fey, 30 Rock; Amy Poehler, Parks and Recreation; Kristen Wiig, Saturday Night Live; Sofia Vergara, Modern Family
Winner: Amy Poehler First thing she’s ever won besides Stoner of the Year. Then very sincere that the job is her award and about her love for the comedy community, especially the Upright Citizens Brigade Theater. Poehler doesn’t seem to far from Leslie Knope
And oh, 9 for 14… not too bad.
9:36 Jim Carrey says “Hello, room full of people with sick moms.” A little upset that he’s not nominated for Mr. Popper’s Penguins. Not personal. Here’s all the animal-hating nominees for Best Comedy Movie.
Winner: Bridesmaids Feig is accepting. Feig says one thing he wanted to ask the women, “Can I see your boobs?” Ugh. Sort of a false note.
9:45 Robert DeNiro honoring Don Rickles for the Johnny Carson Award… Mentions that after he worked with Don, Scorcese has worked with Leonardo DiCaprio for five films and DeNiro zip. Introduces Jon Stewart… mentions seeing RIckles in 1982 at Carnegie Hall. Stewart went backstage at the show. RIckles said to Jon, “Stewart, smart? Now they won’t know you’re a Jew.”
Jon reveres Rickles for turning the equation around on the audience, essentially asking what’s so special about you that I have to please you. Stewart points out it’s appropriate for Rickles to get Carson award since nobody made Johnny laugh harder.
Rickles is like Louis C.K. at first. “I wanna go home.” Rickles praises Carson, saying he had a magic to make you look good. Praise for all the late night hosts, especially Stewart for his grace… Very heartfelt speech. You’ll see a lot of the “Mr. Warmth” tonight… but ... “I see a lot of people in the audience and I realize I’m the biggest name here.”
As always, that last moment in front of the Johnny Carson’s Curtain make the night for me… validating why there’s a Comedy Awards.
Wednesday I was lucky enough to be at the Comedy Cellar for not only a great lineup of comedians, but also to catch a couple of surprise drop-ins: Louis CK and Chris Rock. It’s not the first time I’ve caught an unannounced comedian added to the bill - I’ve also seen Jerry Seinfeld show up for a set at the Cellar.
After these shows, I realized I knew why the comedians showed up at the Cellar that night. And though you can’t be 100% sure you’ll see someone unexpected at a club (hence the definition of the word “unexpected”), here’s a couple of tips for attending a good show that might turn out even better.
Upcoming Talk Show AppearanceWith a lot of comedians, their talk show appearances are essentially them doing their stand-up semi-conversationally with the host. Other guests, like actors, will let the host do the heavy lifting. Not typical with stand-ups. Chris Rock had a Letterman appearance coming up. Rock’s not actively touring right now, because he’s working on the Broadway play “The Motherfucker in the Hat.” So whatever bits he had, he was going to need to work them out at some point. Keep your eye on upcoming Late Night guests and look for big name stand-ups.
Upcoming Live Shows / ToursWhen Jerry Seinfeld did a drop-in, he hadn’t been on tour for a while. Only a day or so later, though, he was going to perform at the Coliseum at Caesar’s Palace in Vegas. Not the best place to even out the kinks in material. If a comedian hasn’t been on tour for a while and then announces some theater dates, they might be dropping by the clubs days or weeks before hand.
Odd Line-Up ChangesThe night I caught Seinfeld, I noticed that the lineup for the show had been changed to five comics instead of six, the Cellar’s typical number of comedians. An even bigger hint: Tom Papa, who regularly opens for Seinfeld, had been added to the bill. Sometime drop-ins are less spur of the moment and more planned. So look for oddities or sudden changes.
LuckI have no idea why Louis CK was there. He’s shooting “Louie” right now, so maybe he’s working on some bits to thread between the stories of his show? Or if “Louie” is to be believed, his babysitter kicked him out of the house and he had nothing else better to do. But as far as I know, I was just lucky that night.
And here’s the final result of the drop-in I caught… Chris Rock on Letterman last night:
Over the past few months, Robin Williams has been immersing himself in stand-up with a new tour entitled “Weapons of Self-Destruction.” Now, in what seems to be the culmination of the effort (but not the tour), Williams comes to New York to perform the show for only five performances at the Neil Simon Theatre. Williams arrives in New York April 28th and leaves May 3rd. Tickets are pretty much what you’d expect them to be - $70 to $150.
A day or so ago, Robin Williams’ YouTube channel was updated with clips from the current tour. But they don’t really give you a look at the show, which reportedly covers politics, technology and some of Williams’ own issues with alcohol. They’re just jokes for whatever city he’s in that night, which is a little odd. “Hey, here’s the twenty seconds you’ll miss if you weren’t in Chicago!” Lookee:
It’s an odd version of web marketing… to give away the toss offs to other cities. It’s unlikely that would be his best stuff. Well, he doesn’t look to troubled for an audience.
If you’d like to see the regional New York humor of Robin Williams, tickets go on sale at Ticketmaster on Sunday.
Update: This is one of the times I wish I eschewed from even this slight snark. Robin Williams has had to postpone the tour because of health problems, specifically surgery to replace an aortic valve in his heart. Obviously, I hope it goes well and that he gets a chance to finish the rest of the tour.
It’s been four years in the making, including a debut at this year’s Just For Laughs festival and a recent “Sleeping While Standing” fine-tuning tour, and yet, as previews for Mike Birbiglia’s Off Broadway one-man show come to a close, the self-effacing comic readily admits he’s still working on the stage equivalent of a final cut. Longtime fans of the Comedy Central and Bob and Tom fave have come to expect such perfectionism from his stand-up, a trait now underlying each measured pause, painstakingly controlled rise and fall of pitch and endearingly befuddled utterance of trademark phrases “I knooow!” or “Oh! No!” And while he’s grown away from a more sarcastic style over the course of four albums, here Birbiglia delivers his most cohesive and introspective material yet.
Sleepwalk is partially comprised of established bits revolving around the theme, as the title implies, of the writer/solo performer’s battles with REM behavior disorder, which causes a person to physically act out their dreams, occasionally resulting in injury or worse. Bridging the gaps, Birbiglia utilizes the storytelling chops most recently featured in April’s What I Should Have Said was Nothing DVD to bring conjoining themes of romantic commitment and father-son bonding into the mix. Though it may be difficult for some to follow the diverging plot threads’ chronology and there are no outright applause breaks, the laughs per minute are strikingly high, particularly for frequent callbacks. He’s animated when it matters, just as he’s quietly – even deathly – solemn at key moments, and longtime fans in particular will delight in mentions of Birbiglia’s brother Joe, as well as a few moderately threatening bears.
Overall, Birbiglia brings no huge surprises to a performance he could essentially do in his sleep (pun intended), but great use is made of a minimal set (blue backdrop, stool, The Promise of Sleep medical reference) and key behind-the-scenes contributors (director Seth Barish, producer Nathan Lane). It’s a compliment to say he delivers nothing more than what is expected of him – that is, a unique, ever-evolving performer who consistently raises the bar for young comics everywhere.
Here are more of the superlatives and less-than-superlatives Julie Seabaugh witnessed at the comedy tent at last week’s Sasquatch! festival.
Monday, May 26
- Least Ready for Prime-Time Players: Great that Sasquatch! remembered the locals, but Seattle School’s RECESSION!—poorly lip-synched ditties about lipstick, the Nintendo Wii and Ben Bernanke – emphasized facial contortions and painfully hip pop-culture references over actual humor, ultimately walking about half the audience.
- Healthiest Sign of Life IV: More than doubling the amount from the two previous days, 64 chairs crowded the front of the stage… and remained filled with increasingly familiar faces through every set’s standing-room turnover.
- Rawest Revelations: Winding down his Standuppity Tour with Eugene Mirman, Marc Maron confessed to being exhausted, crazed (more so than usual) and still reeling from his wife’s recent decision to leave him. With the crowd already embracing his material on racism, politics, religion and technology, he shrugged, “Okay, I’ll try to work it through with you nice people.” Chunks on his anger issues, being alone and history of drugging and drinking gave way to his admitting, “There’s part of me that wants to be liked by everybody, but I beat the fuck out of that part. And that’s basically my personality.” Authenticity at its most admirable.
- Most Missed Catchphrases of Power-Point Presenter, Pseudo-Political Reporter, Amateur Crypto-Zoologist and All Around Cheshire Cat of Sarcasm Eugene Mirman: 3) “I am bike cheese!” 2) “…bowls of tears and little fear cakes. That are not very good.” 1) “Miiirman! Man From the Sea!” Seriously, it’s been far, far too long. Someone book the dude a special immediately.
- Worst Scheduling Conflict That Wasn’t So Bad Once You Really Think About It: Flight of the Conchords’ 6:05 p.m. appearance on the festival Main Stage in direct competition with Michael “Setting fake movie scenes to songs deemed by the counterculture as ‘totally lame’ means my playing them for a live audience makes me an ironic stand-up genius” Showalter’s 6 p.m. set.
- Best “Oh Wait, Guess Someone Came to Their Senses” Moment: The higher-ups’ afternoon-of decision to go ahead and move back both Showalter and closer Michael Ian Black back an hour (to 7 and 8 p.m. respectively). Kudos, folks in charge.
- Smallest Presence: The Conchords, unfortunately, as two slight New Zealanders performing acoustically on a huge stage in front of a sea of drunken music die-hards was a better idea on paper than execution. Grumbled on attendee: “Whoever this is on stage it wounds like they’re still warmin’ up. Just messin’ around and shit.”
- Most Accurate Self-Assessment: “Strangers don’t find me funny. I’m an acquired taste; I know that,” noted Michael Ian Black before bits on ejaculating pine cones and the dramatic reading of “A Series of Letters to the First Girl I Ever Fingered.”
- Best Reason to Reunite Stella (Again): Michaels Showalter and Ian Black, we love you, The State, Stella and Wet Hot American Summer. We really do. But you just can’t suddenly decide to tour and release albums (see 2007) with material that’s work-in-progress at very best. If we wanted semi-humorous lists of bands who sound like Radiohead, we’d read McSweeney’s. If we wanted drawn-out stories about human idiocy with no discernible punchlines, we’d…well, we’d talk to our grandfathers more. We thoroughly dig when you do what it is you do well, but this whole “stand-up comedy” path is just kind of a let-down. Take those pseudo-heckles of “Where’s David Wain?!” to heart.
Previously Part 1 of coverage of the Sasquatch! Comedy Tent
My good friend Julie Seabaugh, who I’ve taken more than a couple of cues from as far writing about comedy, attended the music fest Sasquatch. But instead of the music, sheengorged herself on the offerings from the comedy tent, a welcome new addition to the fest. Here’s her report.
Though it’s the seventh go-round for the rural Washington-state music gathering known as Sasquatch!, 2008 was the first year the hairy-palmed hootenanny hosted a Comedy Tent. And while David Cross/Aziz Ansari/Nick Kroll’s first-and-only rendition of “You Might Be a Deadneck If…” at Bonnaroo 2007 set the bar impossibly high for all future festival lineups, the Sasquatch names, considering the Tent’s infancy, were impressive in their own right. Among the high- and lowlights:
Saturday, March 24
- Best Group Effort: UCB Presents ASSSSCAT, featuring Matt Besser, Matt Walsh, Horatio Sanz, Tim Meadows, Sean Conroy, Jerry Minor and Rich Fulcher. The Brigade ushered in the first day with a brain-blowing four afternoon/early evening performances.
- Healthiest Sign of Life I: Prior to ASSSSCAT, the line stretched from the Comedy Tent gate, up the hill, and past the VIP Zone, the wooden statue of a bear playing the guitar, the Mike Patton-fronted Crudo opening their Wookie Stage set with “Running with the Devil,” and beyond.
- Best Cross-Promotion: Besser to a female audience member: “Would you have sex with the members of Flight of the Conchords?” Female audience member: “I want to have sex with their manager.”
- Hairiest Reoccurrence: Reggie Watt’s prodigious ‘fro. At media check-in. Strolling by the Wookie Stage. By the rear sound board before ASSSSCAT. Distributing bottled water to the front row 20 minutes before his own Sunday performance. Hiding beneath a tie-dyed tee near the tent’s picnic tables after.
- Celebrity Most Desperate for Street Cred: Office-mate Rainn Wilson, at the festival promoting upcoming feature The Rocker, glad-handling drunken fans in the back of the room during ASSSSCAT’s 6:30 p.m. slot.
Sunday, March 25
- Healthiest Sign of Life II: At noon, a group of four was already first in line for the People’s Republic of Komedy show featuring Andy Haynes, Kevin Hyder, Aziza Diaz, Derek Sheen and Andy Peters…which began at 3 p.m.
- Oddest Item Spied on Comedy Tent Floor: Post-Reggie Watts’ blistering 45 minutes of music-looping wizardry, sexual innuendo, mobius-like wordplay and spot-on M.I.A. impression: a used condom.
- Healthiest Sign of Life III: Comedy geeks who didn’t leave the tent all afternoon – and why would they need to, when drinks/porta-potties were right there on the premises? – gradually inching forward with each performance, into the 30 folding chairs at stage front and remaining in their staked territory for upwards of five hours.
- Best Context-Driven Banter: Two slurring women in the back questioning dark ‘n’ deadpan Morgan Murphy’s complaints about the hour-plus line for campground showers: “Why would you shower?” Murphy: Because yesterday like eight guys came on my face…Did I tell them they could? No, but R.E.M. was that good.” And Murphy, minutes later, referring to the current indie band sound-bleeding into the tent: “Ah Jesus, who’s playin’ now? Somebody sad.”
- Recipient of the Sarah Silverman Award for Distinguished Achievement in Really, Really Needing to Write New Shit: Cuddling with wife? Mouth baby? Dennis Rodman? Samurai sword? Puppy time? You look like you like to bend sluts over and pound their assholes? That overdone “Hairless Yeti” yelp? We salute you, Brian Posehn.
Lines to get into the comedy tent. Always an encouraging sign…
Another report (and more photos) to come later from Julie on the rest of the doings at the Sasquatch comedy tent.