Filed Under Funny 2.0
Tosh.0 premieres tonight on Comedy Central, which is sort of nets first attempt at doing a series about viral video. They’ve become a little cookie-cutter, get funny guy with an over the shoulder shot of the mock web video, make snarky comments. Repeat for a half hour.
Daniel Tosh looks for Tosh.0 be a little different, perhaps realizing that the viral video folks are more than just targets. There’s more and better jokes to be gained by actually talking with them. Here’s a teaser clip from Tosh.0 that I enjoyed, simply because it treats the target like a human being a little. It features the man nicknamed “Afro Ninja”, who fell flat on his face when he attempted a back flip. Daniel goes over what went wrong and then gives a chance for a “Web Redemption”, which looks to be a regular feature for the show.
I actually didn’t expect this of Daniel Tosh, who’s very funny but has one of the most caustic acts I’ve seen - one that doesn’t really give you an ideal of anything he actually likes. The over-the-shoulder thing is something he could do in his sleep. Hopefully the show will be much more “Web Redemption” than TV commenting on the web.
Tosh.0 premieres tonight on Comedy Central at 10 PM.
After the jump, Tosh recorded a little greet for Dead-Frog readers. If being encouraged to watch the show semi-personally might help you watch Tosh.0, click “more”
With a pit-bull-like hold on their branding, TBS is adding a late night stand-up show entitled “The Very Funny Show”, all of which will be filmed at Zanies Chicago during the upcoming Just For Laughs Chicago. Tim Meadows, not typically known as a stand-up, will host the ten episode series, each episode featuring three comedians. Names include John Mulaney, Steve Byrne, Nick Thune, T.J. Miller and Matt Braunger. From the press release and Zanies website I’ve only been able to compile about 22 of the 30 comics that’ll appear (that list after the jump).
It’s been pretty obvious for a while that TBS won’t let Comedy Central own the stand-up game anymore. The question I’ve always been concerned about is that have network execs learned anything from the ridiculous ubiquity of stand-up on TV in the late 80s / early 90s, which pretty much killed the form for a while.
I think the performers are definitely sharper now, more seeing this as an art in itself rather than the sitcom stepping stone. And there’s a lot more diverse voices in that community, so there’s far less likelihood that every performers going to be seen as interchangeable. Plus content restrictions are far looser, leading to a lot more territory for a comic to cover. Although, that does suggest to me the airline food joke of this generation could end up being comics using the word “rape” in a bit.
But this is a little bit out of the hands of the comics themselves. Presentation is going to be a big part of whether stand-up on TV can avoid that again. As someone who looks as thumbnail of stand-up comedy videos every day, I can tell you that a lot of stand-up looks the same. That’s the beauty of it in many ways - one person and one mic. But there’s a lot that go inside that - audience reaction shots, close-ups, editing, angles, focus, etc. None of this should just be monkeyed with for the sake of making something look different. But I fear in a visual culture, that audience will judge stand-up harshly simply because it looks the same. Execs should look at how to present a comedic voice, not just throw a few performers on a stage and call it a day.
Zanies, the club where they’re shooting “The Very Funny Show”, doesn’t look too glitzed up judging from the web videos I’ve seen (never been myself, so I could be wrong). It seems like a nice departure, particularly if the lights can stay a little low. But a more interesting difference about “The Very Funny Show” that may create a break from the way stand-up is seen on Comedy Central is the fact that they’re charging for tickets. Comedy Central doesn’t do for that for either their Comedy Central Presents series or Live at Gotham. I think it always creates a different vibe when an audience pays money for a ticket – perhaps they’ll be more demanding, perhaps they’ll see the comics as more experienced hands. It’ll change the feel of the room a little, maybe enough that folks might notice at home. Let’s hope that’s a good change.
Filed Under Stand-Up Comedy
Every month Los Angeles’s Candor Entertainment holds a stand-up comedy event that’s “invite only.” I’ve been asked to come, but as I’m in New York, it’s a little difficult to check out.
Fortunately for me and the invite-less, clips from their shows have gone up on Hulu. Here’s an exclusive clip from the next set of stuff that’s to go live on Hulu on Tuesday, but is of course live now. It’s from Adam Ray. who I’ll forgive for the backwards baseball cap since he has a nicely tragic response for those who demand a joke from him upon discovering he’s a comic.
Just For Laughs is making its big U.S.A. invasion in just a month, putting down a flag in Chicago and establishing what’ll probably become America’s premiere comedy fest almost by default.
I’m planning on going next month and these are some of the shows I’m looking forward to checking out:
After the jump, you’ll find my map of the comedy fest…
Australian comic Jim Jefferies comes via the U.K. to deliver his first HBO special tomorrow, May 16 at 10 PM.
Here are audio clips from my interview with him, which will be updated as I edit them.
British Comedy Clubs vs. American Comedy Clubs
Spoiled Big City Audiences
His Problem with Overly Intellectual Comedy
This short vid from Casey Wilson makes a point about modern criticism in the internet age better than that entire two-hour movie “Heckler’” from that no-talent ass clown mind Jamie K… oh, crap.
Part of me wishes they’d used the actual stupid comments from people, but really, why do you want to give them any satisfaction? Even when you’re making fun of ‘em. Let them stay as anonymous as their screen names.
The aptly-named Comedy Nerds have made a discovery that’s quite welcome. The State’s “Comedy for Gracious Living” - the lost album recorded by the group for Warner Brothers records. It’s apparently been available via torrent files, but the slightly-less-aptly-titled blog Unheard Music (only less aptly-titled since “The State” album isn’t entirely music) has posted it in a place that the far less web-savvy can get to it. If you’re a State completest or curious, visit Unheard Music for that link right now.