Pigmeat Markham "Lovemaking Bureau" Comedy SketchWatch
Pigmeat Markham - It's My ChildWatch
You Seen My Wife — Dewey "Pigmeat" MarkhamWatch
|1973||Would the Real Pigmeat Markham Please Sit Down||Buy Amazon|
|1972||The Crap Shootin’ Rev||Buy Amazon | iTunes|
|1969||Pigmeat’s Bag||Buy Amazon | iTunes|
|1968||The Hustlers||Buy Amazon | iTunes|
|1968||Backstage||Buy Amazon | iTunes|
|1968||Here Come the Judge||Buy Amazon | iTunes|
|1968||Tune Me In||Buy Amazon | iTunes|
|1967||Save Your Soul, Baby!||Buy Amazon | iTunes|
|1967||Mr. Vaudeville||Buy Amazon|
|1966||If You Can’t Be Good, Be Careful!||Buy Amazon | iTunes|
|1965||This’ll Kill Ya!||Buy Amazon | iTunes|
|1965||Mr. Funny Man||Buy Amazon|
|1964||Open the Door Richard||Buy Amazon | iTunes|
|1964||Best of Moms and Pigmeat, Volume One||Buy Amazon | iTunes|
|1963||The World’s Greatest Clown||Buy Amazon | iTunes|
|1962||Anything Goes||Buy Amazon|
|1961||The Trial||Buy Amazon|
|1961||At the Party||Buy Amazon | iTunes|
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A burly burlesque comedian, raucous Pigmeat Markham starred in dozens of classic sketches including “Here Come De Judge.” He played the world’s funkiest judge: “The judge is high as a Georgia pine! Everybody’s goin’ to jail today! And to show you I don’t mean nobody no good this morning, I’m givin’ myself six months! And if I’m gonna do six months, Mr. District Attorney, you can imagine what you’re gonna do!”
Born in Durham, North Carolina, Markham began his show biz career as a tap dancer before breaking into the “T.O.B.A.” circuit of black vaudeville. He was in the “Sugar Cane Review” in 1925 and through the late 20’s and the 30’s played in many more variety shows perfecting his tried-and-true sketches. In 1935 he journeyed to The Apollo Theater in New York, sometimes appearing on the bill every week for an entire year. His nickname came from a character in an old vaudeville routine: “Sweet Papa Pigmeat, with the River Jordan at my hips, and all the women is just run up to be baptized!”
Pigmeat played “Alamo the Cook” on the brief run of the Andrews Sisters’ radio show, and made films that circulated mostly to black movie houses. In the 40’s, a time when “Amos and Andy” was popular on radio and snappy burlesque sketches were being adapted to film by Abbott & Costello, audiences enjoyed hearty belly laughs at Pigmeat’s “low” comedy and didn’t worry about any possible “stereotype” behavior in his renditions of “Open the Door, Richard” and the rest of his classics. Into the TV era, Pigmeat guest-starred on “The Ed Sullivan Show” bringing his lively humor to a new generation. He issued many record albums, though they could only hint at the kind of broad gestures and costumes that were making the audiences crack up even on the straight lines.
Markham’s national fame took hold after Sammy Davis Jr. popularized the old “Here Come De Judge” catch-phrase on “Rowan and Martin’s Laugh-In.” Davis brought Pigmeat to Vegas with him for a $5,000 a week taste of big-time success. A novelty tune version of “Here Come De Judge” became a Top Ten hit for Shorty Long and was then covered by Pigmeat for a Top Twenty success. He went on to issue more albums that revelled in the funky black dialect though now there were more and more people in the audience feeling some embarrassment about his brand of broad ethnic comedy.
George Kirby wrote the notes for Markham’s “Here Come the Judge” album and praised the old veteran: “This comic was one of the few greats who walked in the back door so that we young comics of today could walk in the front, and thank God he has a chance to walk in the front with us…Pigmeat Markham is the greatest.”
New generations enjoyed Markham’s classic routines, including his variation on “Who’s on First,” with Pigmeat explaining the game to an old deaf man: “Ball one!” “Huh?” “The man said I got one ball!” “Ohh, the man said you got one ball. Too bad.” “Ball two!” What’s that?” “The man said I got two balls!” “Oh…ain’t nothin’ news about that…” “Whee! I knocked up a fly!” “Say what?” “I knocked up a fly!” “Oh, you knocked up a fly. Uh-uh. It can’t be done!”
Markham appeared on TV variety shows but was most popular in live concert dates for predominantly black audiences. “Here Come De Judge” had brought him fame—now he could enjoy some of the fortune, collecting star billing and star payments when he toured. Living in semi-retirement at home in New York, he was even called upon to lecture on comedy and the golden era of vaudeville.