Advice for Chappelle: Don’t Listen to Advice.
Filed Under Sketch Comedy
This column in a recent Hollywood Reporter calling Dave Chappelle a quitter is more than annoying. It’s inaccurate. One of the columnist’s points is that Dave hasn’t been forthcoming about what exactly made him leave his show. Dave’s been vague at times - in many ways because the decision was based more on instinct rather than anything else. But one reason that’s been constant since the first article about his departure has been his discomfort with the impact of his sketches on race. The fact that this isn’t even mentioned is enough to make a conspiracy brother out of this pale honkey o’fay white devil.
Chappelle has just come off a year of seeing how influential a single sketch could be - particularly from the constant yells of “I’m Rick James, Bitch.” Suddenly realizing that you can occupy such a significant amount of thoughtspace from just one thing you do must be amazing and terrifying at once. It’s the kind of the thing that can cause an artist to reexamine their work and what it does.
Many creative people like to ignore the dark sides of our entertainment, saying it doesn’t change the social fabric or affect members of our audience in a negative way. But yet, what do we hope our work does? Affect people. After being chased about a catchphrase that exploded so big that it occasionally drove him offstage, Chappelle was naturally cautious about what he was going to put out there in season 3, even if they were the bits that fell out of his own brain.
He joked about the famous line from Spider-Man on Anderson Cooper, “From Great Power Comes Responsibility” - but it’s real. He’s acutely aware that his jokes have an effect and he wants it to be a good one. It’s the same career crossroads that Richard Pryor made when he decided to stop using the N-word after going to Africa (a vow I’m not sure he entirely kept, but still…)
The column also takes Chappelle to task for calling airing the Lost Episodes a “Bully Move”, equating his sudden flight to Africa to be a “Bully Move” as well. I don’t think it’s the most mature reaction to the problems Chappelle was facing (the most troublesome part to me was that he didn’t even tell his wife where he was - but that’s between them), but to be a bully you have to have power. Chappelle has power certainly, but to assert that he’s bigger than Viacom is ludicrous. I don’t fault Comedy Central for airing the episodes, but we should keep in mind who’s the larger entity here.
Chappelle is definitely a funny guy; however, this was ultimately JUST a tv show. I’m not saying television programs can’t have a dramatic impact on our society, just not this basic-cable sketch show. To imply that he’s worried that his sketches may malevolently alter the racial landscape is merely hubris. I’d tend to agree with the columnist—his public reasons for leaving have been rather nebulous and inconsistent. The “social responsibility” argument is too self-aggrandizing to take that seriously.
To be sure, Chappelle had SOME cultural influence on the state of race relations in this country. White guys like me laughed at his portrayal of my closet bigotries and I’m sure black people laughed at his over-the-top parodies of their cultural trappings. Isn’t that what comedians do? Observe and comment on hypocrisies and social discomfort? In that sense, Chappelle wasn’t that different than say, Seinfeld. I guess my point is that he (and by extension, this blog entry) makes him to be more sociologically important than he really is. “I’m Rick James, bitch” was an entertaining catch phrase for about six months, not emblematic of a major social movement or racial awareness.