I’ve been more than a little curious to see what the results would be for “Funny People”, the Judd Apatow film which explores the life of a stand-up comedian (Adam Sandler) after he has a near death experience. Apatow’s been pretty straight forward that this is a “serious movie”, even though it’s exploring stand-up to some degree. The first trailer just went up today and it definitely tips to the serious side. Look:
That didn’t have a ton of laughs, huh? There’s some good stuff in there - the bit with his creepy doctor plays quite well. But the balance is in telling the dramatic story here (possibly pretty much all of it, as trailer are wont to do these days).
One of the things often said about comedians doing dramatic work is the danger that the audience will expect something with a larger laugh-per-minute scale than they’re going to get. If that’s what this trailer is trying to circumvent, it’s a success. The only question is Apatow’s desire to make it “twice as funny” as his previous works, which I imagine is something we’ll see as more of the stand-up shows up (particularly the contempt for Aziz Ansarai “Raaaandy”).
My favorite part about the trailer is that, at least for now, there’s no suggestion that there’s going to be any sort of easy lessons about life and stand-up (a la some folks much-hated film “Punchline”). There’s definitely a chance that sort of facile parallel will be there - almost dying in life and dying on stage. But my read suggests that this is a story that could happen to a lot of people, it just so happens since these people are actually professional funny, it allows jokes to fall in there naturally, cause that’s what these people do. It’s something that Robert Schimmel, who’s actually dodged the cancer bullet, does pretty well.
Hopefully we’ll see more of the funny side of things soon. “Funny People” opens July 31st.
Filed Under Stand-Up Comedy
George Carlin receives the 2008 Mark Twain Prize tonight. It was not supposed to be post-humorous tribute to George Carlin, but he goddamn died soon after hearing he would receive it. From the looks of some of the promo videos, it seems like the show will be in the right spirit despite George’s unfortunate absence.
Here’s a particularly insightful clip from Jon Stewart, who details exactly how Carlin would lure you in with a fun little verbal notion, and then when he had you, introduce a larger truth.
“George Carlin: The Mark Twain Prize” airs tonight on PBS at 9PM, and then has subsequent re-airing later this week. Check your local listings.
After the jump, here’s part of the “Place for Your Stuff” routine and then Margaret Cho going through some of George Carlin’s actual stuff that he saved all his life:
Filed Under Stand-Up Comedy
I suppose some might take the title of stand-up Jake Johannsen‘s next special a bit literally. But “Overnight Comeback” sort of points out the oddness of a comedian’s life - you may be selling out shows across the country, but if you’re not on TV, you’re perceived to be absent from the culture.
One of the interesting changes about how stand-up specials are produced is that they’re increasingly in the hands of the comedians themselves, rather than a cable network. This naturally brings more control and ownership of the final product (and of course the money on the DVD sales), but makes for unfirm dates of when the general public will see it. There’s a suggestion that “Overnight Comeback” will premiere on either Comedy Central or HBO, but we’ll just have to keep our eyes open for when and where Johannsen will make his debut. Showtime seems like a likely spot too, perhaps even more so than HBO, who I don’t believe has bought many pre-made stand-up specials.
The following promotional but assertively un-viral video was put up by comedian Emery Emery, who will direct the special. (Emery Emery was also the Editor and frequent cameraman for the documentary Aristocrats) Many references to Two Girls and a Cup here, but no video from it, so have no fear of pressing the play button. Well, have some fear… Johannsen does expose about as much as YouTube will allow.
Tonight on Letterman’s Late Show, the long censored permorfance by the late Bill Hicks finally was shown. Though David Letterman certainly may have failed in 1993, he demonstrated a level of class tonight. Simply admitting by his error, sincerely and completely, he’s shown himself to have grown into one of our most authentic and human comic voices. I imagine some will wonder if Letterman is taking the fall for a short-sighted CBS decision. I can’t see that. Letterman’s never been one for the company line, frequently teasing his home network. Perhaps CBS was bothered by the content, but Letterman likely didn’t disagree at the time.
Of course, Letterman didn’t dwell a lot on the whys of the decision to censor Hicks. I wasn’t disappointed by that. Any attempt to point out the sensitive part of the act (likely the “pro-life” material) could have come off as an excuse. Better to just own up completely, and let any rationale proven wrong become an internal guide for how to run your show.
It was wonderful to see Mary Hicks talk about her son. It reminded me a lot of when Johnny Carson would have regular folks on his show. The authenticity of how people respond to a conversation makes for something often memorable, rather than just a celebrity relating a packaged anecdote. Mary’s simple “OK, what else you want to know” was a simple human and very funny moment after a slight bit of tenseness where she let Letterman know simply, how difficult of a time that was. If Jimmy Fallon’s producers were watching, here’s a unique late night tradition that’s been lost in the past decade or so, and would be a welcome return for a new show.
As for the performance by Hicks himself, it’s aged pretty well. It the audience he performed for that hasn’t. Even in today’s world where gay marriage is the front lines of our culture wars, I have a hard time imagining any late night audience so vigorously whooping and applauding a facetious suggestion that a book about a gay couple is disgusting. (Although arguably, Hicks hit the idea awfully hard to set up his preference for the Two Mommies book.) Bill’s comedy may have been before his time, but at least a part of that audience is still there in 1993.
Update: Here’s the Late Show’s video, featuring highlights of Dave’s conversation with Mary Hicks and the full version of Bill Hicks’s act:
Tonight in most areas, PBS will air Make ’Em Laugh, a history of American comedy that I’ve been looking forward to for a while. I’ve already picked up the companion book for the series and the amount of depth of material and history that they use to draw lines between past and (relatively) contemporary comedians is impressive. Plus, it’s damn gorgeous. If this is the resource material they used to build the documentary, your comedy nerd appetite will probably just be wetted. I don’t see how they’ll get it all in.
Tonight’s two episodes are “Would Ya Hit a Guy with Glasses?”, which focuses on the comedian as outsider, and “Honey, I’m Home!”, which focuses on sitcoms and the comedian as the center of a family. It’s an interesting, and somewhat diametrically opposed paring that keeps comedy from being in a simple box. Also a little interesting - they are Chapters Four and Five of the companion book. The first chapter in print focuses on physical comedy, and while it’ll probably be entertaining, it doesn’t necessarily seem like the best tone setter for a TV series about comedians. Physical comedy can be polarizing. Good choice there.
There’s six episodes in all that will air on PBS, but there’s also a seventh, which focuses on web comedy entitled “Teh Internets”, and appropriately has been released only there. You’re not necessarily going to learn a lot from the video - if you’ve visited this site, you know this shit. It’s more of a Best Week Ever look at the subject. But it’s fun to see that those talking heads are a lot of favorite web comedians (the ones who are intentionally funny) and also Amy Sedaris doing some single person sketches that have a bit of fun with some web memes. Here it is:
If Sedaris ever has a cocktail party with all those web-themed treats, let me know. Yum.
Since PBS is decentralized, the airtime (and date for that matter) might be different for Make ’Em Laugh. You should check the schedule at the Make ‘Em Laugh site to find out when it’s on in your area.
It’s little surprise Comedy Central opted to release the Ruminations author/columnist’s debut digitally: like June’s Bo Burnhan precursor, it’s a far less riskier way to roll the dice on an untested, or, in Karo’s case, highly polarizing talent. On one hand there are the 50,000-plus mailing-list devotees the animated 20-something has amassed since his freshman year at the University of Pennsylvania. On the other there are those who have actually seen Karo perform outside of a Student Rec Center. The latter may be inclined the write him off as Dane Cook by way of a Frat House; an alcohol-and-sex-obsessed (and moderately sexist) preacher on the merits of Dudedom not nearly as funny as he is a pandering to a crowd that doesn’t know any better. And those latter detractors would be pretty much dead on.
Talk’s hour of material falls into three categories: Getting drunk, getting laid and getting laid while drinking. There are shades of Dave Attell in the tales of excess (and in a later chunk on a one-time-use vibrating cock ring), as well as surprising hints of Jeff Foxworthy (“You know you’re a Voluntary Alcoholic if…”). Callbacks are shoehorned in with brute force, and even when he attempts a bit of crowd work, patter concerning nachos falls distractingly flat, though far more distracting is the album’s mixing, which grants the hooting, shrieking audience as much play as the headliner. As far as Karo’s observations on females, er, sorry…“chicks” go, there’s little introspection and even less empathy. “Breakups are tough…if you’re a girl,” he chuckles. “If I had a girlfriend I was thinking about proposing to, I’d relish it as long as possible. I’d buy a ring…and then wear it on my cock. And then get a tattoo right there that said, ‘Ain’t payback a bitch?’”
Upon noticing a “hot chick” in the car zooming past at 60 miles per hour, Karo quips, “I guess I kinda just felt she was hot. I think maybe I had Spider-Sense. ‘Cause my balls started tingling.” He’s definitely got an admirable flare for business, but he has yet to use that power for good instead of evil. But give Karo time. Now that he’s staring down 30, he might venture from the stifling Bros Before Hoes Approach. The storytelling skills and likability are there, it’s just a matter of applying it to material of substance. Surely he wouldn’t mind joining the ranks of his peers who get paid, laid and praised?
He’s easily in my current Top 10, Top 5, even Top 2 of comics working today not simply for his material/persona, but Louis CK’s post-Lucky Louie re-dedication to the art form (see also a post-Fear Factor Joe Rogan) has ultimately yielded three hours in three years (Shameless, Chewed Up, and autumn’s Hilarious tour) with room left to develop a pilot for CBS and pop up in David Wain’s Role Models and Ricky Gervais’ upcoming This Side of the Truth. As he recently put it,
“Okay, I had a TV show, it was good, it’s over. What do I have the best chance of actually getting? Being Steven Spielberg, even though no one’s asking me to direct movies or thinks I can? At the time I got a new agent who said, ‘I can put you in theaters all over the country and you could make a living and more doing stand-up, and work wherever you want to.’ I thought, ‘Well, I could do that and try to be as good a stand-up as possible, like, try to get to the point where I’m a really, really good comedian. And if I do that, probably things will go well. I don’t think it’ll be a wasted effort. I don’t think no one won’t give a shit that I got really much better at that.’ So that was kind of the way I went. And I got addicted to laughter. I can’t get off the road. I just love having such a good time. I’m so obsessed with these specials now and I get to really just open my mouth and say how I’m really feeling at last.”
In honor of its December 16 CD/DVD release, herewith is a sampling of context-free Chewed Up highlights:
“I would happily blow 20 guys in an alley with bleeding dicks so I could get AIDS and then fuck a deer and then kill it with my AIDS. I would do that in a second.”
“She got an abortion on Christmas Eve? Oh my God!”
“I will grind it up in the Cuisinart and blow it up her ass with a straw!”
“When you’re getting ready to be a dad nobody pulls you aside and says, ‘You know, you’re going to be cleaning the vagina a lot because every time she takes a shit it goes straight up her twat.’ They don’t tell you that!”
“Women are non-violent, but they will shit inside of your heart.”
“I was thinking the other day that you can figure out how bad a person you are by how soon after September 11th you masturbated, like how long you waited…and for me it was between the two buildings going down.”
“What are you, out of your fucking mind? You think I’m just going to rape you on the off chance that hopefully you’re into that shit?”
“When you become a woman is when people come out of your vagina and step on your dreams… you’re not a woman ‘til you’ve got long, chewed-up nipples. And you’re not a man ‘til you’ve sucked one of those fuckin’ things either, by the way.”
CK’s Hilarious tour continues into 2009; look for a filming date sometime in the first quarter.