Filed Under Stand-Up Comedy
Great piece on NPR about Demetri Martin, despite the reference to him as “the voice of generation Y.” Though the comparison isn’t made in the piece, I’ve always seen Demetri Martin as kind of a successor to Steven Wright. They both have similar rhythms to their jokes - one-liners that have “a-ha” moments where the sudden perspective shifts are combustible. Of course this was before, I caught his new one-person show “Spiral Bound” in June.
Spiral Bound features a journey of Demetri into his notebook. (You can take kind of a similar journey at Demetri’s website.) The show describes the decisions and situations that led Demetri to performing stand-up instead of being a lawyer, and the effects it has on his highly-driven medical student fiancee. It’s surprisingly confessional and quite a bit removed from one-liners.
The NPR interview confirms Demetri is kinda undergoing a focus shift in his comedy. He mentions how he feels audiences don’t really know much about you if you’re just throwing out jokes. And he’s right. How much does anyone know about someone like Steven Wright, who seems to cultivate a sense of removal from human behavior (something Demetri never had with his one-liners.) Someone who can write the joke, “I got some pajamas with pockets in them. Which is great because before that I used to have to hold stuff when I slept” has definitely got a very interesting internal life that audiences would love to be brought into.
While ordering Patton Oswalt’s album over iTunes, I noticed that a search for Genre:Comedy does not work on the store. Currently it just takes you to back to the main iTunes page. Don’t know if it’s always been this way or not, but it’s rather frustrating. The return of the comedy album has been pursued heavily by people like Uproar Comedy, Laugh.com and, most notably, Comedy Central Records.
The absence of a main comedy landing page on iTunes probably impedes online distribution of comedy records. With comedy such a spontaneous buy, the ability to have the “celestial jukebox” featuring a wide range of comedy may be exactly what the comedy album needs. Of course, iTunes has brought a lot of changes to the music industry itself, including returning emphasis on the single. Is there an equivalent to the single for comedy albums? Maybe having the first few tracks of Feelin’ Kinda Patton seeming isolated from the whole is a good thing in the new online distribution model?
Out o’ curiosity, I ended up on iTunes looking for Patton Oswalt’s Feelin’ Kinda Patton and lo and behold, there it was. I gave it a listen and found it incredibly entertaining.
Apparently the 80 or so minutes of the CD were taken from a two and a half hour set at Athens’ 40 Watt Club. So it feels a little choppy at first and thus a little setup/punch, setup/punch initially. To me, I like getting inside comics’ minds and finding how they arrive at stuff… the tangents are sometimes much better than the jokes themselves, so I was a little disappointed at first. But soon the tracks begin to connect together and create that sense you’re inside another mind. A highlight for me was Oswalt’s near verbatim description of a Stella D’oro Breakfast Treat commercial from the 70s that renders a marriage so vile and vicious, you wonder why anyone would imagine it would sell cookies. All very funny stuff. I read Patton’s taking some time off to make new material. Hopefully, this CD is building an audience ready for more.
Neglected to mention I listened to David Cross’s It’s Not Funny while on vacation too. There’s nothing like driving through the deep woods in Larry the Cable Guy country and listening to a commie-terrorist like David Cross spew his filthy joo mouth at decent God-fearing people. Thank Beelzebub!
I seriously loved how David Cross imagined the journey of exploitation it took to make the gold shavings for his fancy restaurant dessert. I imagine some would take David Cross to task for being in such a restaurant in the first place. I just find it amazing they could fit both their head and a stick in their rectum.
Though I do loves me a good comedy record, I ain’t so fond of listening to them over and over and over again. Even new masterpieces like Cross’s. That said, I’m planning on getting myself Patton Oswalt‘s Feelin’ Kinda Patton as soon as possible. The man has been a fave of mine for a while. He does stand-up for stand-up’s sake and, unlike a lot of comedians, unironically loves lots of pop culture ephemera. (And make it too, the guy wrote a well-regarded JLA comic last year.)
One of my favorite things about Patton has been how communicative he is with fans… particularly on what’s becoming alternative (for lack of a better name) comedy’s biggest message board, Mr. Show and Other Comedy on the Tenacious D “A Special Thing” Board. Check out this thread and see Patton be unfailingly honest not only about why MADtv doesn’t work but why he doesn’t work for MADtv, among other stuff.
Filed Under Stand-Up Comedy
Been a little too long. Won’t space these out so much.
The New York Daily News ran a perennial reporter-tries-comedy story today. I don’t know why editors accept such stories (or why a writer would even pitch one… ugh). I promise to try and spare you too many observations when I take some more improv class later this month. One of the reason I think we’re seeing stories like this one might be because we’re heading for another stand-up comedy boom.
Yeah, I said it.
Not withstanding the fact that comedy does better when times are bad anyway (or at least seems to), New York City has in the past few months seen the opening of three stand-up comedy clubs. Laugh Lounge, The Laugh Factory and, most recently, the return of the New York Improv. (I haven’t been to all these clubs yet, but I’ll try and do a comparison in a future entry.) This doesn’t count the relatively new PIT Improv theater and the HA Comedy Club, which is a little over a year old. (For a full run down of NYC Clubs, check this out. Damn!)
On top of that, the success of Last Comic Standing this summer (one of the few highlights in the newly-anointed year-round schedule espoused by the networks these days), stand-up comedy hasn’t been this visible since the 80s. I imagine the phenomenon of more comedy clubs is not (or will not be) a New York thing for long.
Of course new clubs will require well, acts. And though lots of people wanna be funny, The number of people pursuing stand-up, particularly in a nation filled with attention-seeking young people raised on the Real World, must be skyrocketing. (I have no evidence for this, no figures… just hunches, notions and a need for an entry today.) We got millions of Buck Stars out there, looking for the 15 and thinking stand-up is the way. And who can blame them? After all, Ant can do it, right? (Last cheap shot, promise)
Dave Chappelle walks off stage after “fans” relentlessly yell “I’m Rick James, Bitch!” Not only are these people killing Chappelle’s stand-up, they’re destroying the narrow window of getting a third season of Chappelle’s Show from the man. Please people, if you go to a live comedy show, shut the fuck up!
More complaints of ambushing by a political themed comedy show - this time, The Daily Show. I saw the episode where Jill LaVine and State Senator John Vasconcellos appeared. I didn’t think either one of these officials came off bad on the show. Lowering the voting age to 14 sounds completely preposterous, so Vasconcellos looks pretty silly for making the proposal in the first place. But his logic about people taking up the responsibility given to them came through the piece. The man just looked a little out of touch but with his heart in the right place, that’s it. Which is more than I can say for the anti-Philadelphia-gay-tourism man on Wednesday’s Daily Show, who really hung himself with his own bizarre obsession with men’s buttocks.
Filed Under Stand-Up Comedy
TiVo forsook me again with Last Comic Standing. Part two of the Vegas finals aired tonight and TiVo didn’t know it, even know it was on the schedule. Weird. Hopefully, I’ll catch the Comedy Central rerun.
That said, I’m all caught up with the episodes TiVo did record. First, a thought on getting to the Semi-40: Lots of comics had gimmicks (wearing jock straps on their head, pretending to be a Nazi or, in desperate “me! me! me!” fashion, following the auditions to EVERY city) that get you on blooper reels. But the real way to get to the 40 is have a different type of gimmick… the compelling story for the producers to latch onto, like:
♦ being a stripper
♦ being 19 and having nine months of stage experience
♦ being a part of a comedian couple with two children.
Not that these people weren’t funny (two and a half of them were…). They’re good stories to tell on the way of getting to the Final 10. LCS is a “reality” show, not a comedy. Thus the tenets of reality trump funny. The winner is not the funniest person, it’s the comic who’s “story” was the most interesting.
Of the finalists, my fave right now is Bonnie Macfarlane who had the audacity to go for broke with the “c word” in her Las Vegas set. Not only is she funny, but she’s got a great “story” for the reality producers to hang on… finalist and future Gap employee Ant seems to hate her. She doesn’t get along well with other female comics (or they don’t get along with her… not really clear on that so far). I’m sure she won’t win, but it’ll be great watching someone who takes risks.
I think Gary Gulman has got what it takes to win the whole show. I caught him as an opener for Dane Cook and he was amazing. He seems nice enough for America to like/sympathize with (and a genuine nice too, he was talking to people in line pre the show I saw as well… it ain’t just a I-need-a-cheering-section-in-Vegas thang) and he’s really funny. His jokes on food, while not exactly the freshest target, killed.
Non-finalist guys who I hope to see more of: Dan Ahdoot (who’s solid, just needs more material), Chris Voth, Monty Hoffman and, apparently, the robbed Dan Naturman from the synopsis I’ve read about tonight’s show.
Though I hate wishing ill will of 1/4 of NBC’s sitcoms next year, but have you seen the ads for Father of the Pride? The animation is dazzling movie quality stuff, but I’ve yet to see a joke that justifies transplanting the family sitcom in this setting. Not to mention the bad taste of the whole enterprise! Sure you have Siegfried and Roy’s approval. But they’re insane. It’s part of the premise of the show!
Well, soon, onto other things beside LCS. I’m already sick of it and we have hours of housemate-snipping to go apparently.