The hardest thing about this year’s Comedy Awards to me is that at least two separate things loom so high over everything else that happened that I have a hard time seeing why others with win.
First, for movies… Bridesmaids. Which was not just funny but also an impressive portrait of a character who is profoundly sad because of the loss of her business and her romantic relationship. It’s got fantastic gross out scenes but is actually wildly funny at the same time that the characters have grounded and real feelings. I didn’t see everything nominated this year, but Bridesmaids was able to balance such hard comedy with a character’s emotional life is enough for me to suggest a sweep of most of the movie categories (save for Performance by Actor, heh).
The second, in TV and Stand-Up… Louis C.K. With “Louie”, C.K. always surprises. I never know what I’m going to see from week to week but I’m always delighted as it unfolds. And as a stand-up, C.K. has very few challengers… particularly with how he changed the game with his own self-released special on the web. Almost everything he was nominated for, save Comedy Actor, he feels like a lock to me. With him calling his win last year “the greatest moment of the shittiest night of my life”, I’m looking forward to seeing the visible discomfort at the adulation (as a comic should be).
I voted in this year’s Comedy Awards and though it might be obvious how I voted after what I said above, I’m not sure if I can tell you all my picks. But I’ll tell you my right/wrong ratio for the official categories at the end of the night.
6:46 OK, we’re starting soon… I did a little tweeting before it. Might do a little more when I got some acidic, non-pertinent snark. Read my tweets here.
6:52 Doug Herzog, Comedy Central President, is bravely doing warm-up… promising it all gets funnier afterwards. Doug is also detailing the The Comedy Fund, which is the foundation that helps comedians who are having major life transitions… (i.e. no health insurance and very sick among other bad things.) Perhaps a Sarah McLachlan-esque poignant montage of the faces of sad and confused comedians will come during the show? Fingers crossed!
7:16 And we’ve started… Andy Richter welcoming us “From the Comedy Award capital of the world!”
7:18 And we start with the award that will have the most obvious winner. Chris Rock on nominees for Stand-Up Specials: Three are funny. One used to be funny. One never was funny. Does he mean it? He does. Anyone care to guess which ones? Nominees: Louis C.K.: Live at the Beacon Theater, Norm Macdonald: Me Doing Standup, Patton Oswalt Finest Hour, Colin Quinn Long Story Short, Daniel Tosh: Happy Thoughts.
Winner: Louis C.K.... wearing a tie this year! He’s changed! Apologize to all the girls who cheered Daniel Tosh, says he wants to fuck him too. I’m 1 for 1 so far.
7:25 Will Arnett presenting the award for TV Writing. But first, let’s look at the schwag bag… which comes with a live turtle. Aww. Nominees: 30 Rock, Curb Your Enthusiasm, Louie, Modern Family, Parks and Recreation, Saturday Night Live
Winner: 30 Rock. Yeah, it’s still pretty amazing. But as good as the always surprising Louie? Not to me. 1 for 2.
7:31 Maya Rudolph talks about online shopping addiction, perhaps her online shopping addiction before introducing Best TV Performance by an Actor. Nominees: Alec Baldwin, 30 Rock; Ty Burrell; Modern Family; Louis C.K., Louie; Steve Carell, The Office; Larry David, Curb Your Enthusiasm.
Winner: Ty Burrell. With a very heartfelt speech. Definitely deserves it. And if I had any brains while filling out my form, I’d be 2 for 3. But I’m actually 1 for 3. Yikes…
7:37 Now, Best Film Performances by an Actress. Chris Parnell hasn’t seen any of these nominees, because he watches porn parodies exclusively. Nominees: Jennifer Aniston, Horrible Bosses; Cameron Diaz, Bad Teacher; Melissa McCarthy, Bridesmaids; Emma Stone, Crazy, Stupid, Love; Kristen Wiig, Bridesmaids
The clips of the actress will need to be bleeped. Them some filthy laddies.
Winner: Melissa McCarthy. I picked Kristen Wiig… I’m afraid I judged this beyond the comedic appeal, basing it on the big arc of the movie rather than the explosive appearance… So I’m 1 for 4. Maybe this comedy thing isn’t for me…
Melissa McCarthy wasn’t there to accept. But Norm McDonald did, or rather didn’t, bringing on a Native American in full headdress who, in a wonderful cringe-worthy way, spoke to the rape of the land and how they can’t join in the laughing. It’s a very dark bit and I was laughing hard… but it’s not for everybody. Plus: super old reference.
7:46 Tracy Morgan is giving up show business and joining the Secret Service. But first, the nominees for best Sketch Alternative series: Childrens Hospital; Louie; Portlandia; Saturday Night Live; Tosh.0
Winner: Louie....who points out he won an award from another black guy. Maybe I should have looked at who would give the awards before I picked. I’m 2 for 5. Also, wonders, like a lot in the press room, why Louie is considered a sketch show.
7:51 Tracy Morgan takes back quitting. Not interested in taking bullets, even for a black president apparently. Now, Club Comic. Nominees: Ted Alexandro; Hannibal Buress; Pete Holmes; Anthony Jeselnik; Moshe Kasher; John Mulaney; Kumail Nanjiani; Chelsea Peretti; Amy Schumer; Rory Scovel
Winner: Hannibal Buress Great choice. The one I should have picked. 2 for 6. Hannibal points out that none of the other nominees showed up, but he still deserves it because he’s the “dopest” out of all of ‘em. Also, the caucasians split the white vote. Then plugs his tour dates. (Which you can see here: Hannibal Buress Tour Dates)
7:57 Adam Scott with the nominees for Best Director of a Comedy Film: Woody Allen, Midnight in Paris; James Bobin, The Muppets; Paul Feig, Bridesmaids; Glenn Ficarra and John Requa, Crazy, Stupid, Love; Michel Hazanavicius, The Artist
Winner: Paul Feig... Paul decides to direct someone else to do his acceptance speech. He brings up Will Arnett rather than using Adam Scott, who’s on stage. “Just went a different way.” Arnett reads the speech, including a brilliant advance of Feig’s wife (with suggestive statuette gestures from Feig in the background). Feig’s wife can’t hold it together… a highlight of the show.
Oh, I’m 3 for 7. Woo!
8:06 A tribute to SNL’s Weekend Update… with Colin Quinn, Chevy Chase and Norm MacDonald all at the desk. Chevy Chase kind of rants about how it all begin and pretends(?) that he doesn’t know the current host of the segment. “Oh yes, Seth Myers… with the big smile.” Colin reads his speech he would have read if he won for stand-up special. Norm mentions that he was told not to prepare anything. Little Feather shows up talking about Wounded Knee again. There’s an attempt by Chase to get Jon Stewart on stage to arm wrestle. Norm points out that without Chase, nobody else would have got to do it. And then, mentions how the segment was good at taking down those full of themselves… sort of sounding like a slam on Chase…
It’s a bizarre, surreal segment, almost trainwrecky… They cut to Tina Fey and Amy Poehler at one point pretending to sleep. It’ll be interesting to see what of the intro makes it to air. Then clip package… of all the moments you love. No musical guest this year. So this instead…
8:34 After a lull, Key and Peele bring us back with Obama and his anger translator. Anger translator making a big deal about how he needs million cause he running against a millionaire. Plus, where’s all the black people at?
8:38 Between Two Ferns segment with Zach Galifianakis previewing the special that will air before the Comedy Awards. Galifianakis asks Richard Branson about working with “Hot AIr Baboons.”
8:41 Key and Peele in the press room are planning a web series to be responsive during the election with a prepared set for Obama and Luther. They can shoot and get it up hopefully same day. Almost like a war room, but funny.
Also, the cast of Happy Endings giving award for best viral original… which I didn’t vote on.
8:46 Rob Riggle claims he’s totally prepared. And will stop anybody who rushing the stage. Looking at you, Wiig. Nominees for Comedy Series: 30 Rock, Curb Your Enthusiasm, Happy Endings, Modern Family, Parks and Recreation
Winner: Parks & Recreations That makes me 4 for 8. So deserved… “Excited to join the ranks of the one show that has won this award.” Then they thank all the husband and wives and “everyone who is a nice person.”
8:52 Rob Riggle introduces nominees for Animated Comedy Series: Archer; Family Guy; The Life & Times of Tim; The Simpsons; South Park
Winner: Archer 5 for 9! One of the co-creators slipped while getting the award… ouch. (in the Press room he joked that Riggle tazed him, but he apparently to have enjoyed the drink) “Jessica Walter couldn’t be here. H Jon Benjamin simply won’t be here.”
8:58 Patton Oswalt introduces Robin Williams winning the Stand-Up Icon Award. Williams riffs off the awards shape… and mentions that he never worked previous winner Eddie Murphy. Points out he started with only getting three minutes at an open mic and then. Lucky… just like a leprechaun… save he snorted his pot of gold. Praise for current comedy: Patton Oswalt, Louis C.K., Chris Rock and shouts out to: Jonathan Winters (“the Buddha of Santa Barbara”), Mort Sahl and Sid Ceasar.
9:10 Ed Helms introduces nominees for Late Night: The Colbert Report; The Daily Show with Jon Stewart; Late Night with Jimmy Fallon; Late Show with David Letterman; Real Time with Bill Maher
Winner: The Daily Show Richter says it all “What a shocker. It’s the god damn Daily Show again.” Why didn’t I pick it? 5 for 10. All the correspondents accept while mentioning their crazy agendas…
9:16 Robin Williams in the press room, mentions that doing the Comedy Cellar is like playing “Lenny Bruce, the home game.”
Ed Helms presents Directing for Comedy Series. Nominees: The Colbert Report; The Daily Show with Jon Stewart; Late Night with Jimmy Fallon; Late Show with David Letterman; Real Time with Bill Maher
Winner: Louie. 6 for 11. Louie thanks his kids. Not by name. “because of the Internet.” And his kid’s mom. Which is classy and nice of him.
9:20 Comedy Screenplay. Nominees: 50/50; Bridesmaids; Crazy, Stupid, Love; Horrible Bosses; Midnight in Paris
Winner: Bridesmaids A great speech about friendship from Kristen Wiig and Mumolo which degenerates into a physical fight over who gets to take the award… I’m 7 for 12 now!
9:22 Chevy Chase gives a Best Friend Award to Joel McHale, which is a hug. Nominees for Stand-Up Tour: Dave Attell; Lewis Black; Louis C.K.; Kevin Hart; Jerry Seinfeld
Winner: Louis C.K. “This is stupid now. I hate this. Everything if you keep doing it starts to suck.” Then he walks off the stage. Brilliant. 8 for 13.
9:28 Louis C.K. in the press room on why he went to the web: Cites the small market for ‘em. “Nobody cares if you do a stand-up special. They say, yeah we’ll take it.”
9:30 Nominees for TV Comedy Actress: Zooey Deschanel, New Girl; Tina Fey, 30 Rock; Amy Poehler, Parks and Recreation; Kristen Wiig, Saturday Night Live; Sofia Vergara, Modern Family
Winner: Amy Poehler First thing she’s ever won besides Stoner of the Year. Then very sincere that the job is her award and about her love for the comedy community, especially the Upright Citizens Brigade Theater. Poehler doesn’t seem to far from Leslie Knope
And oh, 9 for 14… not too bad.
9:36 Jim Carrey says “Hello, room full of people with sick moms.” A little upset that he’s not nominated for Mr. Popper’s Penguins. Not personal. Here’s all the animal-hating nominees for Best Comedy Movie.
Winner: Bridesmaids Feig is accepting. Feig says one thing he wanted to ask the women, “Can I see your boobs?” Ugh. Sort of a false note.
9:45 Robert DeNiro honoring Don Rickles for the Johnny Carson Award… Mentions that after he worked with Don, Scorcese has worked with Leonardo DiCaprio for five films and DeNiro zip. Introduces Jon Stewart… mentions seeing RIckles in 1982 at Carnegie Hall. Stewart went backstage at the show. RIckles said to Jon, “Stewart, smart? Now they won’t know you’re a Jew.”
Jon reveres Rickles for turning the equation around on the audience, essentially asking what’s so special about you that I have to please you. Stewart points out it’s appropriate for Rickles to get Carson award since nobody made Johnny laugh harder.
Rickles is like Louis C.K. at first. “I wanna go home.” Rickles praises Carson, saying he had a magic to make you look good. Praise for all the late night hosts, especially Stewart for his grace… Very heartfelt speech. You’ll see a lot of the “Mr. Warmth” tonight… but ... “I see a lot of people in the audience and I realize I’m the biggest name here.”
As always, that last moment in front of the Johnny Carson’s Curtain make the night for me… validating why there’s a Comedy Awards.
Filed Under Sketch Comedy
Long-awaited by some, including myself, The State finally made it to DVD just yesteday. I can finally throw away the only previous home-video release of The State, the videocassette of “Skits and Stickers”
I haven’t had a chance to pour through the DVD yet, as I just got it. But the sheer amount of material available, including some never before sketches with commentary that hopefully detail a bit of why they were cut, are pretty much all we’ve been asking for for as long as I can remember. If I took this look to do it right, I’m glad they took their time.
Here’s one of my favorite sketches, the State performing a broadcast-television-friendly version of the non-existent play “Tenement.” I think I’ve worn out this particular part of the tape on the aforementioned video cassette:
Oh, the commitment to the raw humanity of William McGuire’s work. If you love this sketch too, MTV has a very nice viral marketing widget that you can use to share it or 26 other sketches (including Porcupine Racetrack) on the Facespace or your Mybook.
This short vid from Casey Wilson makes a point about modern criticism in the internet age better than that entire two-hour movie “Heckler’” from that no-talent ass clown mind Jamie K… oh, crap.
Part of me wishes they’d used the actual stupid comments from people, but really, why do you want to give them any satisfaction? Even when you’re making fun of ‘em. Let them stay as anonymous as their screen names.
The aptly-named Comedy Nerds have made a discovery that’s quite welcome. The State’s “Comedy for Gracious Living” - the lost album recorded by the group for Warner Brothers records. It’s apparently been available via torrent files, but the slightly-less-aptly-titled blog Unheard Music (only less aptly-titled since “The State” album isn’t entirely music) has posted it in a place that the far less web-savvy can get to it. If you’re a State completest or curious, visit Unheard Music for that link right now.
Filed Under Sketch Comedy
I’m not one to post super-promotional videos, but I’ll make an exception this time. Because it’s about fucking time.
If they blow off this release date, there better be lollipops. I swear to God.
Filed Under Sketch Comedy
Hulu just put up the best of Abbott of Costello, perhaps in honor of the recently begun baseball season, because what’s the best of Abbott and Costello without “Who’s on First?” It’s amazing how resilient this routine is. It feels a little long today but the pacing and the rhythms are still strong and it’s even a little dark, with Costello constantly gesturing with a bat, implying more than a little violence if he continues to be frustrated by Abbott.
God damn that’s still funny.
What’s even more impressive is the amount of variations that its inspired (see the popular culture section in the routine’s wikipedia entry), most often as a way of borrowing that incredible rhythm for another concept but sometimes as an example of how something funny can be parodied itself.
Here’s a recent variation, with Paul Mecurio using it on the Bob and Tom Radio Show to play off modern baseball’s steroid problem.
And another recent play on the sketch, this one more of a style parody from UCB Comedy, taking the routine and having it shot as if Wes Anderson directed it.
Of course, my all-time favorite is one that destroys the very conceit of the joke but at the same time plays a wonderful homage to Costello’s performance, from Slovin & Allen’s Comedy Central Presents.
The little pause Leo Allen gives before he goes into the actual Yankee names just kills me.
And there’s a ton more. Johnny Carson using the routine to highlight Ronald Regan’s confusion. Abbott & Costello’s orginial all rendered in typography. A bizarre recreation featuring actors unaware of the routine(!) with entirely naturalistic speaking. And another conceit-attacking version from Kids in the Hall, which eats the routine whole and leaves nearly nothing left.
Perhaps because it had vaudeville roots a while before Abbott & Costello took ownership of it, “Who’s on First” has a similar quality to the Aristocrats joke. It can be told a thousand different ways, in different styles with new targets. It almost makes me contemplate a “Who’s On First” competition/festival. I just pause for fear of beating it death with a baseball bat other than Costello’s.