Filed Under Stand-Up Comedy
According to Jay Mohr‘s web site, NBC has dumped the final episode of Last Comic Standing which would crown the third season victor. The winner instead will be announced at some point during a Father of the Pride marathon. The rambling note on Jay Mohr’s homepage was riddled with misspellings (including ‘thge’), so I felt the need to check my TiVo and, yep, no Last Comic Standings are scheduled. NBC also confirms the announcement of the winner during Father here.
I don’t feel the loss of the last episode… it’s filler anyway, with the finalists performing yet again with standard reality recap footage intercut to prolong what takes ten seconds to do. I’ve never been enamored with Last Comic Standing... the show has never been about being funny, but instead about showcasing personalities (or whatever passes for that) just like all reality TV does. This last version of this show naturally failed, because it ran away from why people tune in in the first place. An all stand-up version gets rather old fast because we get to know these performers’ acts and style so well, there’s no more surprise. No more surprise = not funny. The immediate followup after season 2 certainly didn’t help matters.
Season 1 and 3 contestant Ralphie May also recently claimed the show has “jumped the shark” (groan), claiming that stand-up isn’t necessarily about getting laughs but about pushing boundaries. While Ralphie May has since claimed he was misquoted, the question of how you measure good comedy (laughs vs. art) is something I’m gonna try and take up at some point in the near future.
Updated: Apparently, NBC has taken down the previous statement on the Last Comic page, promising a winner to be announced on Tuesday. According to a story on realitynewsonline, Last Comic will get a half-hour show to annnouce a winner (which again, is probably enough… who wants to draw this out including, apparently, NBC).
Filed Under Late Night
So I’m busy doing a revamp on the blog, and bam! big comedy news. Oh well, no rest for the wicked. And I don’t get to have any fun either.
Leno’s passing along the “Tonight Show” to Conan O’Brien in the year 2009. Already many are expressing theories involving Conan backstabbing Leno and strong-arming NBC management that should give Bill Carter plenty of material if he wants to write “Late Shift 2: Electric Boogaloo.” I don’t really have an opinion on such behind-the-scenes machinations, other than I’m inclined the think the best of both parties because if you look back at how NBC’s bungling destroyed personal friendships before, somebody had to give.
More interesting to me is how will Conan adjust his style in 2009. Some speculate lots of dumbing down and toothless comedy, citing how Leno eagerly embraced a base audience. I’m sure some modifications will occur… I just don’t think the Masturbating Bear will play at 11:30. But the Conan character Triumph has certainly broken into primetime, appearing on such middle-America fare as Last Comic Standing on Tuesday. Smart and irreverent comedy can play at 11:30. Just because the time slot appeared to swallow Leno whole doesn’t mean it’ll consume Conan.
Conan would probably do well to look at Carson, who appealed to the whole country while maintaining an edge of cool that only abandoned him after Arsenio Hall (remember him?) came on the scene. I’m not sure where the two intersect, Carson’s confidence and laid back persona couldn’t seem more opposite Conan’s nerdy energy. But Carson’s level of cool, like the rat pack, doesn’t exist anywhere anymore. Performers and audience are too self-conscious now to allow it, hence irony.
The boundaries of what you can and can’t say, even on the Tonight Show, have certainly broken down. And, FCC fines aside, I don’t see America stuffing that cat back in the box. Who knows what you can say on TV five years from now? Who knows if networks will still be relevant as cable gains more prominence? Maybe late night action will be concentrated on “Adult Swim” and “Daily Show” by then. Whatever TV comedy turns into, Conan’s five years of planning time might just be a blessing. He could very well need it.
Filed Under Animation
A short time ago, Todd of OddTodd.com announced that the Comedy Central version of his unemployed adventures would not see the light of day. He described himself as “OK” with the whole thing, since the show really wasn’t what he wanted nor what Comedy Central wanted. No hard feelings. So what happened?
OddTodd recently gave a more satirical Flash cartoon account of his development experiences which seems to put the blame on another producer who moved the show into a traditional sitcom style… wacky neighbors, angry landlord and all. The show that came out of the collaboration is stiltedly reenacted with a dumb laugh track inserted so you know where to groan. Todd states he didn’t even like his own show. But still no hard feelings at Hollywood execs, though the translation of “very promising” is rather amusing (“Pack your shit and go”).
Filed Under Late Night
One of the charms of Da Ali G Show is wondering how the hell they tricked luminaries like Boutros Boutros-Ghali into agreeing to an interview in the first place. If you like to treat your comedians like magicians, you probably shouldn’t read the piece Slate published detailing exactly that. Included in the report is a sample letter sent to one of the victims and links to two of the fake websites they use to make it all look legit. The article concludes with the observation that Ali G, the character, probably won’t be getting away with this for much longer. The producer see a lot more longevity in fashion-obsessed Bruno and Kazakhstani journalist Borat, which is no surprise, considering the targets of both are “real” people, who lack the encumbrances of handlers and press agents.
In some ways I hope the producers of Ali G would spend an episode detailing their machinations themselves. But, one of the best things about the Ali G show is that it doesn’t break that Ali G, Borat or Bruno are characters. Each character lives in its own reality… for Borat the graphics are done in Kazakhstanian and then English is overlayed on top of them. So they’re real not only to their targets, but also for the viewers. It’s a tone that I think is infinitely stronger for humor, but not so good once everyone gets in on the joke.
Filed Under Late Night
In the following transcript of an interview with Jon Stewart to promote America (the Book), Bill O’Reilly describes The Daily Show‘s audiences as stoned slackers, most of whom are intoxicated while watching. And worst of all, they’re voters! Check it.